Notes related to Buenos Aires

The museum presents the artist’s trajectory in relation to her contexts, documenting her artistic networks, her interventions in architecture, and her pioneering role in the development of textile practice in the Americas.

The voice of a conceptual artist from the last century resonates as if his agenda were the same as today’s. Among works and sketches, the exhibition reminds us that “there is nothing more real than a potato.”

The Argentine curator, artist, and gallerist will lead a platform committed to positioning Latin American art within international conversations “without diluting its specificity.”

The event will bring together 46 Indigenous artists from different regions of Argentina and neighboring countries, with exhibitions and activities taking place between February and April.

Between the exposed Misiones jungle and the revealed basin of the Río de la Plata, the museum proposes a journey through the work of Florencia Böhtlingk this summer.

Daniel Basso presents new works that reinterpret nocturnal aesthetics, consumer objects, and urban memories to create an immersive space between fantasy and exaggeration.

The gallery marks sixty years of history with Energy and Optimism for Life, a vibrant look at its legacy and its present.

The event presents its final 2025 edition: an invitation to enjoy contemporary art tours across the neighborhoods of San Telmo and La Boca.

At the Argentine gallery, Pariente by Hans Petersen and Redondita by Juana Cravero engage in dialogue: two exhibitions that explore what we have turned into habit, and the desire that never fades away.

The fair opened its 21st edition with a program that celebrates photography in all its forms — from the sensitive “skins” of Marina De Caro to the gazes of those who inhabit the streets, and the trajectory of the FotoGalería at Teatro San Martín.

Blurring the boundaries between image, performance, and experimentation, projects by Gustavo Nieto, Nicola Costantino, and Donna Conlon stand out in a new edition of Pinta BAphoto, returning to La Rural with proposals that expand the scope of photography today.

Through the exploration of the intersections between image, body, and discourse, Guad Creche (Salta, Argentina, 1985) positions their curatorial gaze on the performative potential of photography.

Both the exhibited and the stored works draw attention in Matilde Marín’s studio. On the walls, her emblematic photographs steal the gaze, but so do the wrapped and labeled folders on her tables, the boxes full of books on the floor, and the stacks of files on her shelves. The image completes itself with her voice, the one that explains why the archive, too, is a protagonist.

Editor and curator, Sol Echevarría created Espacio FAN as a meeting ground between the editorial and the visual. There, books become a territory for experimentation, and artworks become ways of reading. A project that champions collaboration, critical thinking, and cultural resistance in times of retreat.

Simple, yet with complex movement, the artist managed to capture what his sensitive eyes perceived, and today his name is part of the local art history as a reference in photographic portraiture.

The event celebrates its 21st edition with a diverse program that spans photography through curatorial, performative, and editorial approaches, intertwining “the material with the immaterial, the intimate with the collective.”

In its final weeks, the exhibition Mi país no es Grecia offers one of the most comprehensive overviews of the Peruvian photographer’s work—moving between the popular, the precarious, and the poetic.

The tenth edition of the Prix Pictet brings together in Buenos Aires twelve international photographers who address the major social and environmental challenges of our time.

Featuring nearly fifty works, the exhibition explores Brook’s “clouds” series and his interest in integrating sculpture into architecture and public space.

The cultural event turns Buenos Aires into a vibrant art route: galleries, museums, artist studios, and independent spaces open their doors with free activities and special programs.

Youth, performance, and permanence: Argentina’s most important art fair has opened at Centro Costa Salguero and will run until August 31.

Just steps from the door, I heard the echoes of Tramoya. Curiosity guided my body toward the gallery, stealing from me the chance to prepare for the detours and fragmentations the works would provoke—and for the attempts to piece together those fragments within my own body.

Last few weeks to enjoy a unique experience at the Museum of Contemporary Art in La Boca: an immersive exhibition that combines art, technology, and audience participation.

The contemporary art fair organized by gallerists opens to the public in Buenos Aires’ renovated downtown featuring “resident” and “guest” galleries as well as international participants.

By Daniela Arroyo

On Atardecer en un bosque (Sunset in a Forest), the latest solo exhibition by Tadeo Muleiro at the Luis Perlotti Sculpture Museum in Buenos Aires, curated by Jen Zapata.

The Museo de Arte Moderno de Buenos Aires has announced the twelve new residents for its August–December 2025 and March–June 2026 periods.

BIENALSUR Week 2025 opened with a diverse and expansive program at key venues in the city of Buenos Aires. It will continue throughout July and run until December at various venues.

With the support of the Ministry of Culture of the City of Buenos Aires, Gallery returns on Friday, June 6, 2025, bringing its iconic art circuit to the neighborhoods of Recoleta, Retiro, and Microcentro. The initiative aims to promote visits to artistic spaces such as galleries, museums, artist studios, and foundations, with the goal of bringing contemporary art closer to the general public and showcasing the excellence of the local art scene.

Proa Foundation celebrates the reopening of its renovated spaces with an exhibition organized in collaboration with the Vitra Design Museum: Here We Are! Women in Design 1900–Today, a journey through 120 years of female creativity, innovation, and talent in design.

From White Plaster to Colorful Textiles, Dalila Puzzovio (1942, Buenos Aires) has always known how to appreciate broken bodies and dress the living. While some destroy, others build is the title of one of her photographs—a phrase that runs through her remarkable artistic career.